The mind is dealing with the world but is always working on itself. The mind takes materials from the world…
-- Robert J. Lifton
There are kinds of information, sometimes bare scraps and bits, that instantly arrange themselves into coherent, easily perceived patterns, and one either acknowledges those patterns, or one does not. For most of my adult life, I chose not to recognize those patterns, although they were the patterns of my own life as much as Wade’s. Once I chose to acknowledge them, however, they came rushing toward me, one after the other, until at last the story I am telling here presented itself to me in its entirety.
-- Russell Banks
We know more than we can use. Look at all this stuff I’ve got in my head: rockets and Venetian churches, David Bowie and Diderot, nuoc man and Big Macs, sunglasses and orgasms.
-- Susan Sontag

For Dick, all facts must be dynamited free from the banal, oppressive systems which bind them, and put back into play. For this difficult task, paranoia comes in handy. "I'm out of step. I should yield to reality. I have never yielded to reality. That's what sf is all about," reads the preface to The Golden Man (1980) a collection of Dick's stories. The paranoid, like Mr. Tagomi in High Castle, takes nothing for granted, and knows that "We're blind moles. Creeping through the soil, feeling with our snoots. We know nothing."
We see narrative everywhere. It's a primitive urge, a way to tie cause to effect, to convert the complexity of our experience to a story that makes sense.
. . . Narrative experience should grow naturally from the site's message and purpose. It's a mistake to invent narratives—human-faced "tour guides" to your site, for example—that don't flow naturally from the site itself.
The world abounds in stories. You don't need to invent: the story is already there. For a cause or a crusade, the story is the struggle. For a corporate site, the big story is the story of the company—its trials, its fortunes, the challenges it faces and the way it responds.
. . . Many sites today pretend to be about the reader. They imagine that the way to make an experience involving is to get readers to talk about themselves, to fill out questionnaires or polls or express their opinions on bulletin boards. But narrative takes us outside ourselves. We spend much of our existence thinking about ourselves, our problems, our feelings; drama takes us away from these daily worries.
Directly addressing the reader, peppering your audience with choices, surveys, and customization opportunities can increase the psychological distance between your message and your audience. Like a too-chummy, backslapping salesman, a website that asks too much also forces the audience to think about itself. The narrative experience shatters; and the reader, recalled to a host of deadlines and worries and errands, clicks elsewhere or switches off. Each of us is the hero of his or her personal dramas; sometimes, we want someone else to be the protagonist.
There are two sides to the story of how this came about. Herzog claims he made a vow to eat his shoe if Errol Morris ever made a film that got shown at Berkeley. But Errol claims Herzog stole his idea when Herzog went to film those oddball people up in Wisconsin for his film Stroszek. Anyway, in the making of that movie, I saw how interesting he looked on film and that gave me the courage to go down to the Amazon [to film Burden of Dreams] with him and take my chances whatever may happen down there.
Can one really eat a shoe? Didn't Chaplin do that in The Gold Rush?
But that was a shoe made out of candy. Herzog really ate his shoe. Everything but the sole. He cut it up with poultry shears and he took it to be cooked in a Chinese restaurant to soften it up, but it ended up as tough as tempered steel. The idea being that if you cooked it in duck fat it would end up tender, but it had just the opposite effect.
Trying to define precisely what a blog is an exercise in futility, because blogs are constantly shifting, evolving and becoming something else. But, this seems to be the general consensus for the moment: blogs are personal websites, usually maintained by an individual, constantly updated with new information, personal experiences, analysis, hyperlinks and commentary on just about anything, to a repeat audience. [eLearning Post]

. . . a strategy and technology so simple in design, that it could present the next wave of grassroots KM implementations. We are talking of the "storytelling" as the killer strategy, and "blogs" as the killer technology. Both of them share one common ground: grassroots interaction — a concept voiced by the likes of John Seely Brown, Larry Prusak, Steve Dennings, Dave Snowden, David Weinberger, among other prominent KM personalities.
. . . an expressive anthropomorphic robot called Kismet that engages people in natural and expressive face-to-face interaction. Inspired by infant social development, psychology, ethology, and evolution, this work integrates theories and concepts from these diverse viewpoints to enable Kismet to enter into natural and intuitive social interaction with a human caregiver and to learn from them, reminiscent of parent-infant exchanges. To do this, Kismet perceives a variety of natural social cues from visual and auditory channels, and delivers social signals to the human caregiver through gaze direction, facial expression, body posture, and vocal babbles.
6. Do not have open containers of water in cold rooms: these cause excessive frost in the refrigeration system and lead to malfunction and temperature instability.
7. The contained atmosphere in environmental rooms and recirculation of most of the air creates a potential for retaining any aerosols that are formed during research procedures. This can lead to cross-contamination of research projects and personnel exposure. Keep these rooms as clean as possible.
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